Heather Gorham's figurative artwork revolves around the tangible interpretation of the everyday in which she creates—with a twist—a dreamy window into common experiences.
interviews with painter Amy Bennett, whose small-scale paintings are modeled after miniature 3-D models she actually creates herself.
"Drawing has become an intuitive way to process information and concentrate for me." Jen Bradley's stunning gorilla portraits appear in WTP Vol. VII #6.
"To remain a curiosity is one of the things that can make a work of art successful." Abstract paintings by Henry Jackson appear in WTP Vol. VII #6
Painter, architect, and interior designer John M. Humphries on how his different mediums of work inform each other, the challenges of watercolor, and his exploration into ceramics.
Susan Cantrick creates digital montages from photographs of her completed paintings to create studies for new works. Behind her work, a fascinating hybrid of the tactile of painting and then the digital.
"I’ve always been interested in suggesting a sense of place, the timelessness of the natural landscape, the interplay of the ephemeral and the enduring in the natural world."
Arts Editor Richard Malinsky spends time with WTP artist Helen Cantrell, exploring her early beginnings, influences, and her recent successes. Cantrell's paintings appear in WTP Vol. VII #4.
"Like Monet studied the light on the haystacks and painted them over and over at different times of the day, I’ve been creating photograms that have the same shapes but shifting and changing light." Liz Nielsen speaks to her photograms, appearing in Vol. VII #3.
"When joined, it has a beautiful, textural, flowing, dynamic strength which I find inspiring." Francene J. Levinson shares behind the scenes of her modular paper sculpture, inspired by the Chinese Zhe Zhi art of paper folding.