Our WTP Magazine

The Woven Tale Press: a Magazine for Writing and the Visual Arts

The WTP magazine is published ten times a year. It is a true hybrid of  noteworthy writing and visual arts — at once a fine art magazine and literary journal. We regularly feature a rich and resonate roster of fiction, creative nonfiction, poetry, and the visual arts, by both established and emerging writers and artists. Keep up with the latest: cutting-edge literary and fine art from across the world.

Between our Covers

Enjoy an eclectic mix of the literary, painting, sculpture, mixed media, photography, drawing, the innovative and the offbeat. The Woven Tale Press mission is to grow the online presence of noteworthy writers, photographers, and artists. Most contributors are credited with interactive urls back to their websites. If we discover an artist via a gallery, we will link back to the gallery’s website as well.

You must register to view the current digital publication. Clay portraits, fiber and tin can sculpture, constructed watercolors, a story of Mbuna Dunes, a poem about coming out in Mami, and more.

Snapshots from Vol. VIII #5 of The Woven Tale Press

Fiber Art

Intermedia Art

As a textile artist, Tara Kennedy is interested in creating messages within her work originally inspired by the unity of her mixed cultural heritage.
headshot of Marcela Hunyadi


Caridad Moro-Gronlier is the author of Visionware (Finishing Line Press), and the editor of Grabbed: Writers Respond to Sexual Assault forthcoming from Beacon Press this year. The recipient of an Elizabeth George Foundation Grant and a Florida Individual Artist Fellowship, her work has appeared in publications including Rhino, The Notre Dame Review, The Comstock Review, among others.

mixed media on panel by Wen Yu


In his works, Alam Allen will employ, as needed, a self-built robotic device for translation into large-scale works finished with an impeccable softness that belies their weight and density.


Gladys Nilsson is known for her densely layered and meticulously constructed watercolors and collages. She studied painting at the School of the Art Institute of Chicago, and first came to prominence in 1966, when she joined five other recent Art Institute graduates (Jim Falconer, Art Green, Jim Nutt, Suellen Rocca, and Karl Wirsum) for the first of a series of group exhibitions called the Hairy Who. Like many of the Hairy Who artists, Nilsson employed a type of horror vacui; many of her works feel filled to the brim with winding, playful imagery. Her work often focuses on aspects of human sexuality and its inherent contradictions. In 1973, she became one of the first women to have a solo-exhibition at the Whitney Museum of American Art.

— Courtesy of the Garth Greenan Gallery

Cobweb Afternoon by Amir R. Hariri

Blue Glass
watercolor on paper
29 3/4” x 41 3/4”

By Gladys Nilsson

See more of her work in The Woven Tale Press Vol. VIII #5

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