In her works from WTP Vol. VII #7, Etsukuo Ichikawa uses molten glass as a fiery paint, scorching the surface of velvety, cast cotton paper.
Jo Stealey is a nationally recognized artist known for her mixed-media sculpture and collages utilizing handmade paper. From WTP Vol. VII #6, her installation "Forest."
Patrick Hughes creates small-scale watercolor paintings that are both subtle and complex. "Composition 65" is one of many works appearing in WTP Vol. VII #6.
Chehalis Hegner is a former professional musician who turned to photography after losing sight in her left eye. In her Source Code series, she "present[s] the purity of spheres in an organic, mysterious, and sometimes haunting landscape."
Audra Weaser, whose work appears in the WTP summer magazine, is interested in creating physically charged images reminiscent of watery landscapes.
Meticulously constructed sculptures by Bentley Meeker comment on the intersection of human culture and the natural world.
Jean Poythress Koon, whose work appears in Vol. VII #5, teaches coiled basketry for state guilds, conferences, conventions, and craft schools all across the country.
"In search of the intelligibility that is possible within painting’s sub-linguistic space, I’ve experimented freely with diverse techniques and media, a hybrid practice favoring a stylistic eclecticism that can belie its coherent underpinnings."
"My works feature images of imaginary landscapes, empty or inhabited by unknown beings; landscapes that externalize the constant inner struggle of being human, that visualize conflict between good and evil, between light and darkness..."
"I think of these impermanent structures as machines without a purpose or machines that have lost their purpose, invoking rusting metropolises or ambiguous edifices, elusive images appearing as cloudy wrecks of a dubious age."