Sherry Karver takes photographs of public places and writes imagined life stories over the figures in her work, to personalize individuals and emphasize all our unique stories.
Carolyn Case’s paintings rely on a beguiling density, gained from years of working and reworking a surface.
"Where lies the line between real ‘me’ and virtual ‘me’? And is it there at all?" Kateryna Borovschi's new series explores the implications of the social media reality.
Marina Maltezou's abstract paintings appear in WTP Vol. VII #10. Maltezou's work has appeared in group exhibitions in Greece and Turkey.
Sahar Khalkhalian's paintings "explore the loss of identity immigrants go through when they are forced to leave their homes and dive into the unknown."
George Casprowitz's abstract paintings are featured in WTP Vol. VII #9. See "Draft Status," a selection from the magazine.
Ruth Bunnewell's landscape painting is regarded as "putting a contemporary spin on traditional British landscape painting."
Heather Gorham is both a painter and sculptor working in traditional media, such as acrylic, bronze, and wood, with a more recent focus on digital sculptural technology and 3D printing to add to her bag of tricks.
Jackie Abrams' Woven Figures series speaks of "the importance of the women in our lives, of their strengths and sorrows, their growth and joys."
Re-envisioning her paintings as raw material, Susan Dory deconstructs and reassembles her canvases, cutting, looping, overlaying, and sewing them onto colorful ropes.