"Where lies the line between real ‘me’ and virtual ‘me’? And is it there at all?" Kateryna Borovschi's new series explores the implications of the social media reality.
Marina Maltezou's abstract paintings appear in WTP Vol. VII #10. Maltezou's work has appeared in group exhibitions in Greece and Turkey.
Sahar Khalkhalian's paintings "explore the loss of identity immigrants go through when they are forced to leave their homes and dive into the unknown."
George Casprowitz's abstract paintings are featured in WTP Vol. VII #9. See "Draft Status," a selection from the magazine.
Ruth Bunnewell's landscape painting is regarded as "putting a contemporary spin on traditional British landscape painting."
Heather Gorham is both a painter and sculptor working in traditional media, such as acrylic, bronze, and wood, with a more recent focus on digital sculptural technology and 3D printing to add to her bag of tricks.
Jackie Abrams' Woven Figures series speaks of "the importance of the women in our lives, of their strengths and sorrows, their growth and joys."
Re-envisioning her paintings as raw material, Susan Dory deconstructs and reassembles her canvases, cutting, looping, overlaying, and sewing them onto colorful ropes.
In her works from WTP Vol. VII #7, Etsukuo Ichikawa uses molten glass as a fiery paint, scorching the surface of velvety, cast cotton paper.
Jo Stealey is a nationally recognized artist known for her mixed-media sculpture and collages utilizing handmade paper. From WTP Vol. VII #6, her installation "Forest."