The Woven Tale Press, the web’s premier online literary and fine art magazine, brings together notable artists and writers seeking to share their work more broadly with communities actively in quest of unique voices and compelling perspectives.
Donald Kolberg, on being wary of scammers targeting artists and resources to keep yourself safe.
Wren Panzella on her process painting on the fragile glass medium.
Sara London and Cherene Sherrard discuss her new collection, Grimoire; inherited trauma; recent events; and more.
Sculptor Margaret Swan takes readers inside her workspace and process. “My work day revolves around the evolution of my sculpture from its conceptual development of cardboard model-making to metal finishing processes.”
Charlie Baylis reviews UK poet Rupert M. Loydell’s “Inner Space Ghost Machine,” a selection of eclectic, experimental poems.
The idea for Voice & Vision evolved in our Woven Tale Forum, where members are actively conversing on ways to support each other as writers and artists. These collaborations, where the literary meets the arts, we hope serve as enhancements of these already resonate individual works. — By Heidi Stauff, WTP Video Producer — …
Installation artist Hanna Vogel invites WTP readers into her home studio in Philadelphia.
For Krista Harris, her studio is her safe space. There she can breath and focus without interruption. See inside her renovated log-cabin studio in Bayfield, Colorado, and behind the process of creating her abstract paintings.
Batik Pieces out of Bedsheets
Fernanda Vargas narrates her inspiration for her series All Wrapped Up, in which she photographs herself wrapped in bedsheets and then creates batik pieces.
Performing Anticipation
“‘Walking on Eggshells’ began as my attempt to illustrate the experiences that accompany one’s entrance into a new environment.”
Our Cornerstone: The Woven Tale Press Magazine
A Premier Literary and Fine Art Publication Highlighting Stellar Writing and Visual arts
What’s Central to WTP Besides our Magazine:
Our Latest Features
Our Voice & Vision Series
The idea for Voice & Vision evolved in our Woven Tale Forum, where members are actively conversing on ways to support one another as writers and artists. These collaborations, where the literary meets the arts, we hope serve as enhancements of these already resonate individual works.
Featured From our Magazine
Imminence
oil on canvas
(27.6” x 39.4”
By Alexey Adonin
Adonin explores the point of convergence between abstraction and surrealism.
What do People Say About Us?
“The Woven Tale Press is quickly becoming a mecca for writers and artists and those who understand the essential middle ground between the two.”
— Beth Kephart, author of Tell The Truth. Make it Matter.
“Discovering The Woven Tale Press was like finding a sparkling gem in the ‘cybershere sandbox.’ It’s presentation of visual and literary arts is a treasure trove of creativity. It is such a wonderful opportunity for those of us looking to join the creative conversation, and to learn from others.”
— Carolyn Land, multi-medium artist
“Even more compelling than its gorgeous layout and sumptuous production quality, is the editorial aesthetic of The Woven Tale Press. Brilliant visual and literary art is presented with exquisite sensitivity. These pages are saturated with color and filled with intoxicating stories and poems. The Woven Tale Press offers genuine art: original, provocative, raw.“
— Sari Friedman, author
“You know that bad feeling you have when you think of all of the great art and writing that are bypassing your attention, escaping your notice? Now we have The Woven Tale Press, one last Hail Mary Pass to catch, one last chance to get the best of what’s about to be missed, and I’m grateful.”
— Beth Ann Fennelly, Mississippi Poet Laureate
“I love The Woven Tale Press. It’s a neat little journal curating the best of contemporary art and literature.”
— Claire Meadows, poet and Editor-in-Chief/Founder of After Nyne Magazine
“What strikes me about The Woven Tale Press is the way themes appear in each issue, without ever being named. The editors are clever and subtle with their juxtapositions of written and visual imagery, so that you have no choice but to make new connections between the works.”