2020 WTP Magazine

The Woven Tale Press: a Literary and Fine Art Magazine

What makes us unique? We give equal precedence to both the written word and the visual arts.

The WTP magazine is published ten times a year. It is a true hybrid of noteworthy writing and visual arts — at once a fine art magazine and literary journal. We regularly feature a rich and resonate roster of fiction, creative nonfiction, poetry, and the visual arts, by both established and emerging writers and artists. Keep up with the latest: cutting-edge literary and fine art from across the world.

Between our Covers:

Enjoy an eclectic mix of the literary, painting, sculpture, mixed media, photography, drawing, the innovative and the offbeat. The Woven Tale Press mission is to grow the online presence of noteworthy writers, photographers, and artists. Most contributors are credited with interactive urls back to their websites. If we discover an artist via a gallery, we will link back to the gallery’s website as well.

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Latest Issue!

Snapshots from Vol. IX Vol. #7 of The Woven Tale Press

Digital Painting

““I usually work with oil on canvas, but of late I have being working digitally. ” — Edward Lee

Fiction

Megan Staffel’s stories have been published in The New England Review, Ploughshares, The Common, Seattle Review, among others, and collected in The Exit Coach (Four Way Books) and Lessons in Another Language (Four Way Books). She also is the author of three novels.

Photogravure

“I like most the part of my practice in which I start to emotionally confuse a piece of cloth, an image of skin, and a landscape.”— Martha Tuttle

Featured

Eternal Light, Eternal Depths
dye-sublimation onto aluminum
24” x 16”
edition of 11

By Tricia Capello

See more of her work in The Woven Tale Press Vol. IX #7

Highlights from Recent WTP Issues

Freezing Memories

Edward Lee, whose work appears in Vol. IX #7, uses digital art to practice “freezing memories, emotion, moments in time.”

In the Conditional Mood

A short story from Megan Staffel explores the relationship between formative experiences, and how we try to fight long-time impulses as adults.

Beth Kephart

“One large apple a day, one sleeve of graham crackers, a run across the city, a marathon walk in the afternoon, jump-rope drills, and still: I’d stare into the mirror and not see beauty. Beauty refused me.”