The Woven Tale Press, the premier online hub for literature and visual arts, brings together notable artists and writers seeking to share their work more broadly with communities actively in quest of unique voices and compelling perspectives.

Bo Kyung Kim

In Bo Kyung Kim’s home-based studio, she can easily do the technique of layering and sealing using Hanji, traditional Korean paper. For her artwork, she collects sands, rocks, leaves, and dust, and seals these objects from nature.

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Mauricio Paz Viola

“My works feature images of imaginary landscapes, empty or inhabited by unknown beings; landscapes that externalize the constant inner struggle of being human, that visualize conflict between good and evil, between light and darkness…”

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Salvatore Difalco

In this piece of short fiction from Salvatore Difalco, the actor who plays Big Bird (or someone who thinks he is) navigates the dreary world of a nursing home. From WTP Vol. VII #3.

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George Fellner: Photographer and Architect

“I feel that there is so much diversity in stones and crystals that it’s an endless endeavor; there’s just no limit to how much I can do with this.” George Fellner’s most recent series reveals an endless search for the abstractions of reality using close-up shots of gemstones and crystals.

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Walter Crump

“I think of these impermanent structures as machines without a purpose or machines that have lost their purpose, invoking rusting metropolises or ambiguous edifices, elusive images appearing as cloudy wrecks of a dubious age.”

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Francene J. Levinson

“When joined, it has a beautiful, textural, flowing, dynamic strength which I find inspiring.” Francene J. Levinson shares behind the scenes of her modular paper sculpture, inspired by the Chinese Zhe Zhi art of paper folding.

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What’s Central to WTP

Our Latest

Latest Woven Tale Press

WTP Vol. VII #1

January's magazine features honorable mentions from our 2018 contest, abstract oil and mixed media paintings, and writings about World War II.
Book Review


Jennifer Acker’s deeply considered and expansive novel focuses on love and family transcending races, cultures, religions, geography and time, and serves to expand the horizons of American readers for whom distant nations remain more “other” than familiar.

Inside the Studio

Nancy McTague-Stock

Nancy McTague-Stock has worked in various studios, both here and abroad, including in an old castle in the Champagne-Ardenne region of France last October. She invites readers inside her different studio spaces to learn about her process.


Photography by Carl Corey: “A Bit O Spring”

Winner of a 2019 Guggenheim Fellowship. Congratulations, Carl!

See more of his work in The Woven Tale Press Vol. VI #10



“The Woven Tale Press is quickly becoming a mecca for writers and artists and those who understand the essential middle ground between the two.”

Beth Kephart, author of Tell The Truth. Make it Matter.

“Even more compelling than its gorgeous layout and sumptuous production quality, is the editorial aesthetic of The Woven Tale Press. Brilliant visual and literary art is presented with exquisite sensitivity. These pages are saturated with color and filled with intoxicating stories and poems. The Woven Tale Press offers genuine art: original, provocative, raw.

Sari Friedman, author

“I love The Woven Tale Press. It’s a neat little journal curating the best of contemporary art and literature.”

— Claire Meadows, poet and Editor-in-Chief/Founder of After Nyne Magazine

“Discovering The Woven Tale Press was like finding a sparkling gem in the ‘cybershere sandbox.’ It’s presentation of visual and literary arts is a treasure trove of creativity.  It is such a wonderful opportunity for those of us looking to join the creative conversation, and to learn from others.”

Carolyn Land, multi-medium artist

“You know that bad feeling you have when you think of all of the great art and writing that are bypassing your attention, escaping your notice?  Now we have The Woven Tale Press, one last Hail Mary Pass to catch, one last chance to get the best of what’s about to be missed, and I’m grateful.”

Beth Ann Fennelly, Mississippi Poet Laureate

“What strikes me about The Woven Tale Press is the way themes appear in each issue, without ever being named. The editors are clever and subtle with their juxtapositions of written and visual imagery, so that you have no choice but to make new connections between the works.”

Paula Goldman, photographer

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