there is plenty of time to walk from town, to give an opinion whenever requested. there is time to talk, and receive gifts. make time to buy some ready. it has been said before that these are falling days. look at the wild seeds and know that as splendid as you are, that you are…
.. place ..
.is often the way, that we drift, is often the way, that we drift, part company . return again to our root. not always where we think it is, want it to be. yet it is home. sbm. shot_1345536945316 part company . return again to our root. not always where we think it is, want…
WTP Artist: Richard Malinsky
Interview with Richard Malinsky What are you working on in your studio right now? I’m working on a commission for a private collector in Philadelphia. What is your primary or favorite medium and why? My primary medium is liquid acrylic. I like to pour the paint and move it around while it is fluid and let it…
Art Spotlight: Richard Malinsky
“Golden’s Light,” acrylic on canvas, 31″ x 29″ By Richard Malinsky of malinskyexpressionism.com “What sets my work apart from Abstract Expressionism is a return to atmospheric depth, and an evocative poetic link to contemporary color field abstraction.” See more of his work in The Woven Tale Press Vol. III #8
Art, Coffee, Tea and Blogs
So this week I’ve got a few special blogs and sites for you: Art Review This twice-monthly mini magazine will keep you up to date with everything that’s preventing ArtReview’s editorial staff and contributors from getting a good night’s sleep, plus all the latest news and gossip from the international artworld. In addition we’ll bring you…
Richard Skinner on: "A Huge Influence on my Novel"
Who or what has been a big influence on your writing, be it a book, film, or mentor? “I started out almost as a documentary director and ended up as a producer of opera.” Michael Powell Michael Powell and Emeric Pressburger’s amazing movie, Black Narcissus, was a huge influence on my novel The Mirror, which is set entirely…
:: mark 4 . 4 ::
numbers. friday can be thirteen, or something else entirely. is it memory, history, some thing. he titled it profanity, the subconcious. so we write, critique, move dots and numbers. deal with the outcrops, note the faith. friday can be thirteen, or something else entirely. sbm.
. reinvention, another day .
seems i have reinvented everything quieter than before. wet autumn days or is it winter, the change comes gradually. i dreamed a cloud of falling leaves, awake to find it is so. it is so very quiet here today. sbm.
Mike Stone: "Write What You Know About"
“Character is what interests me most. I fell in love with the characters in my novels.” Interview with Mike Stone of https://uncollectedworks.wordpress.com See his work in The Woven Tale Press Vol. III #11 Tell us about your writing process. (Do you outline, revise extensively, use pen and paper, stickies, etc.) The answer depends on the kind of…
.. the critic ..
this critic is awkward, sees the good, feels the grace. how to say it, that the mind wanders, that filth detracts from the everyday. that stitching can be rhythmic, and never mind the capitals. clever words confound, googling interupts the flow whilst dots are alaways useful. i have never done this before. sbm.
Art Spotlight: Francesca Tabor-Moilla
Silly Ole Proverbial Box by Francesca Tabor-Mozilla “As a painter, I continuously struggle to create order and balance out of Chaos.”
WTP Artist: Francesca Tabor-Miolla
Interview with Francesca Tabor-Miolla See Tabor-Miolla’s work in WTP Vol. III #2 What are you working on in your studio right now? Right now I’m putzing a bit, just coming off a four-month hiatus after surgery. That being said, I enjoy working with encaustic and basic metalsmithing, so I’m just about ready to begin a new ‘Talisman’…