Tête-à-tête with Avian Photographer Gaurav Mittal

Tête-à-tête with Avian Photographer Gaurav Mittal

By Fried Eye

He believes in his dream and the journey he treads on. He gave up his lucrative profession and luxury to be with what he loves doing – photographing the most delicate and fragile moments of birds. Gaurav Mittal, an established “bird photography artist” says, “his images of birds are not a mere presentation, but a perception of their own reality.”

Gaurav’s works on bird photography have been highlights of popular journals. His recent work on the two Sandhill cranes entitled “In-Harmony” featured on the cover of the Wildlife Photographic magazine for the month of March 2014. With passion filled with audacious zeal, he profoundly says “it is my re-birth and it seems like I’m into photography for eight years although it has been two-and-a-half years journey of what I chose to be.”

1. In-Harmony Sandhill Cranes

                 In-Harmony : Sandhill Cranes

It is not simple to spot a bird and capture an image in its glory. Rather, Gaurav tries to find a meaning in “the whole set-up” of what he sees. For him, it is not only a presentation of subject, but a reflection of a photographer’s connection with the subject. He says, “I do not go out just to shoot bird. I search for a purpose to shoot. Photos should tell a story. I try to find a story to make an imprint. I study bird’s behavior a lot.”

Many birds in urban surrounding depend on us. I look out for situation to capture them

-Gaurav Mittal

Fried Eye took an opportunity to speak about his work, work in progress, his dreams and the moments he cherishes:

FE: How do you give a meaning to a bird photograph?

GM: I believe one needs to have a purpose for photography, without which one cannot set goals and aim for images to convey the meaning. I consider the “mood” of an image as a good vehicle for conveying the thought vision. Like, one day in a foggy afternoon in Bharatpur, (India) in a dull atmospheric surrounding, I wandered along a trail when I came across a lonely stork. The soft light and a single stork standing in the vast foggy-scape instantly made me think of solitude and somber nature of that particular scene. I then composed the image and placed the stork close to the Rule of Thirds, including enough area on top to convey the overall mood of the scene. So, I feel that paying attention to the light along with the surrounding landscape and the waiting to capture a bird’s behavior are all components, when woven together, that give meaning to a photograph.

Eye contact with birds is very special and intimate; it feels as if the bird has opened up its soul. Camera equipments are tools that photographers use to achieve their objectives. It is passion, patience and a desire to succeed which ultimately define success.

– Gaurav Mittal

2. Black-necked Stork as it slowly walked away into the fog. Keoladeo National Park. Bharatpur, India (Out of camera and unprocessed)

          Black-necked Stork as it slowly walked away into the fog. Keoladeo National Park. Bharatpur, India (out of camera and unprocessed)


In another instance, I was photographing Green Honeycreepers which weigh an average of 19 grams and are 5.5 inches long.  The Green Honeycreeper is a small bird in the Tanager family. It is mostly found in the tropical climates of countries like Mexico, Costa Rica and Brazil. It primarily feeds of fruits, nectar and insects. Photographing in the tropical rain forests of Costa Rica is always a challenge. Given the partially cloudy and sunny conditions, the ever-changing light requires a constant adjustment of exposure. In order to win in such conditions, it is a must to know to use a flash.  The idea behind using the flash is to try and maintain the natural light while making sure that there is only enough fill flash to give the bird enough light, while maintaining a natural feel.

The difficulty in shooting a Honeycreeper knowing that one is working on a very skittish bird, with a strong blue-tinged green, a black head and a bright yellow bill. If one tries to expose the black head, and then you may overexpose the rest of the bird. And on trying to expose the rest of the bird, then the details are lost in blacks. This is where the flash comes in handy. I first set the ambient exposure and then worked on getting the flash exposure for the bird on the perch it was constantly landing on. From here on, it’s a matter of patience and observing the bird’s behavior.

 3. Green Honeycreepers, Chlorophanes spiza, Costa Rica

               Green Honeycreepers, Chlorophanes spiza, Costa Rica

FE: Which one moment during your pursuit, do you remember as “the moment,” that redefined you and took you to new height?

GM: (Smile) That was the moment! (showing a picture.) Sandhill Cranes are best known for harmony, and their behaviors instill togetherness. They are my iconic birds. The “Kiss in the Mist,”  showing the picture), does not it bring romance in mind? It was taken at Bosque, New Mexico in 2011. Although I look out for special moments, they gave me a new meaning to photography:

4. Sandhill Cranes, Bosbque New Mexico (Processed in colour Efex Pro)

               Sandhill Cranes, Bosbque New Mexico (Processed in colour Efex Pro)

Q. Your blog tells us about many interesting moments at Galapagos. Share us some of your journey capturing moments in that Island.

GM: Galapagos is one of the least visited parts of the world. For me it was an unimaginable experience. Galapagos has restricted visitors and one has to travel with a licensed guide. Visitors to the island must disembark far away from the main island leaving the ecology undisturbed. I travelled to the location by boat and restricted to the set pathways. Trespassing restricted areas meant being forbidden from the island.

Birds on the Islands do not have much human interaction. I brought home not only experience but also a stock of ideas. One of my experiences was with the dark morph Red-footed Booby. I like the shot because of the dynamic wing position and the bird’s posture. If your subject isn’t looking at you, then look for an interesting pose or behavior  that will draw you in.

5.Red-footed Booby in Galapagos               

               Red-footed Booby in Galapagos  

Canon 5D Mark III, Exposure: 1/800sec, F/4.0, Lens 300mm, ISO 1000. Darwin Bay, Genovesa

There was this waived albatross which was spectacular to look at. Endemic to the island, it has enormous capability to fly with its formidable wingspan. The sheer beauty and power of a bird in flight when captured well, reveals the grace and elegance with which birds take to the sky and carry out maneuvers which are no less then breathtaking. (Gaurav at this juncture, literally demonstrated how they fly. He said with one flap they go down for a long distance. )

6.Tropicbird, Galapagos             

               Tropicbird, Galapagos

FE: What are the challenges in bird photography?

GM: Wildlife photography is a very challenging form of photography.  Elements of nature such as weather; lighting conditions and a cooperative subject are not in a photographer’s hand. Many times, regardless of all the preparations we make, if one of these elements goes wrong, then the photography opportunities are lost. Birds by far are the most difficult subjects to photograph; they are shy, timid and never stay in one place for more than a few seconds. In these situations reading the light, the background and then framing the shot while getting the correct aperture, shutter speed and ISO is very critical. Often we come back empty-handed and have to keep trying.  Logistical planning and long travel schedules also add to the challenge of photography.

Humming bird flutters 5000 per second and it is quite a challenge

– Gaurav Mittal

 Q. Which are the birds you are yet to photograph?

GM: The Painted Snipe, which is one of the most gorgeous female species in the world, and are larger than male. The other is the Himalayan Monal largely found in the region of Chopta in Uttarakhand.

FE: What do you aim for as a photographer?

GM: As a photographer, I would like to be teaching and training the aspirants to bird photography. I would like to give a new meaning to bird photography.  I see myself as a conservationist too.

FE: As a bird photographer and conservationist what steps do you take during photography?

GM: I take extreme care not to disturb the ecology of a bird’s habitat. Sometimes one has to take extreme care to avoid shooting in nesting areas.

FE: What message would you like to send to our readers?

GM: Get out and enjoy nature! Have patience, perseverance, persistence, passion to succeed, not only in photography but in all the fields.

FE: Thank you Gaurav for sharing some wonderful insights.

GM: Thank you

Fried Eye Team wishes Gaurav Mittal very best for his future projects and endeavors in bird photography. He has recently finished capturing images of Marbled Godwitat Morro Bay, New Mexico.

You can find more about him at www.gauravmittal.com

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