An Exercise in Range by Richard Malinsky, Arts Editor Encaustic Art in the Twenty-First Century By Anne Lee and E. Ashley Rooney. Schiffer Publishing, Ltd., 2016. $59.99. The precise temperature regulation of the wax in the honeycomb is the same basic principle applied to the encaustics medium. With the addition of damar resin and color pigments, today’s artists can…
Tag: process
Lubov Lemkovitch: The Architecture of Emotion
Lubov Lemkovitch on Portraiture by Emily Jaeger, Features Editor In her portraits appearing in this month’s issue, Vol. IV #9, Lubov Lemkovitch portrays up-close the subtle strength and interior emotions of her female subjects. Trained as an artist in Kishinev and Israel, Lemkovitch has exhibited her work internationally, including exhibiting at Art About, an Israeli…
WTP Artist: Eleen Lin
“I was inspired to retell the tale of Moby Dick through a different cultural lens.” by Emily Jaeger, Features Editor Born in Taiwan and raised in Thailand with a Western education, Eleen Lin is a true “third culture kid.” Lin studied at Slade School of Fine Art, UK (BA 2005), and Yale School of Art (MFA…
Featured Bookmarks: The Literary
Link Highlights for Writers and Readers By Dewitt Henry, Literary Bookmarks Editor Monthly I’ll post and describe links here to online resources, magazines, and author sites that seem informative and inspiring for working writers. Most are free. Suggestions are welcomed. 1. AGENT QUERY is a helpful tool both for querying over 2000 agents (“the internet’s largest free…
Daniel Ketelhut: My Process
The Creation of “Hope in a Hopeless Place” By Daniel Ketelhut See his work in Vol. IV #9 Like most artists, my process has changed over the years and continues to evolve. With the help of a few photos, I’m going to talk about the way I currently create my paintings. That said, the process detailed below…
WTP Writer: Beth Kephart
Handling the Truth by Richard Gilbert, Contributing Editor Beth Kephart is the award-winning author of over 20 books of poetry, fiction, and memoir for teens and adults. She is a partner in Juncture Workshops and a professor of Creative Nonfiction at the University of Pennsylvania, where she received the 2015 Beltran Family Award for Innovative Teaching…
Unique Mark-Making
Artist Barbara van Buskirk Demonstrates Monotype Printing Video Courtesy of Donald Kolberg This is a demonstration of the art of monotype as done by artist Barbara van Buskirk in Albuquerque. Visit her website.
Latest Read: Handling the Truth by Beth Kephart
The Medium and its Messenger by Richard Gilbert Handling the Truth: On the Writing of Memoir by Beth Kephart. Gotham Books, 254 pp. Here’s three good reasons to read Beth Kephart’s book on writing memoir: her lapidary prose; her vision of memoir as an instrument of inquiry and transcendence; and her superb annotated list of recommended…
WTP Writer: Patty Somlo
Transforming Struggles Into Art Interview by Emily Jaeger, Features Editor Patty Somlo is an author of fiction and creative nonfiction living in Sonoma County, California. Her second book, The First to Disappear (Spuyten Duyvil), was a finalist in the Fiction: Short Story category of the 2016 International Book Awards. Her work has appeared in journals, including the Los Angeles Review, the…
Jeff Alu: Single Image or Series
Debating Photographic Series by Jeff Alu, see his work in Vol. IV #8 I’ve often pondered the difference between shooting a series of images and a single image. Does taking a series of photos heighten the meaning and comprehension of what a photographer is trying to say? It would seem that this is the case, especially…
Art Spotlight: Alice Harrison
Les Aimants 3 by Alice Harrison, see her work in Vol. IV #8 Oil/mixed media collage on paper mounted on board 44” x 31” The creative process for me is intuitive – starting with materials and/or marks that I make. I like putting things together – sometimes pieces that seem not to go together. Combining…
Kathryn Baczeski's Installations
Releasing Control to Create by Kathryn Baczeski, see her work in Vol. IV #7 In my performance art, in order for me to create, my process must be in constant flux—I must release control of my work, and I do that by collaborating, though not necessarily always with another person. It could be even with…