Inside the Studio offers an inside peek into the work environments of WTP artists, as well as insight into their creative process within these resonate spaces.
Catherine Eaton Skinner divides her time creating mixed media works between two studios in Seattle and Santa Fe, both built fifteen years ago.
For Krista Harris, her studio is her safe space. There she can breath and focus without interruption. See inside her renovated log-cabin studio in Bayfield, Colorado, and behind the process of creating her abstract paintings.
In Bo Kyung Kim's home-based studio, she can easily do the technique of layering and sealing using Hanji, traditional Korean paper. For her artwork, she collects sands, rocks, leaves, and dust, and seals these objects from nature.
Artist Bette Ridgeway's paintings, made from thin layers of acrylic poured on canvas, appear in March's WTP magazine. She takes readers behind the scenes to her recently converted studio and working process.
Nancy McTague-Stock has worked in various studios, both here and abroad, including in an old castle in the Champagne-Ardenne region of France last October. She invites readers inside her different studio spaces to learn about her process.
Sculptor Margaret Swan takes readers inside her workspace and process. “My work day revolves around the evolution of my sculpture from its conceptual development of cardboard model-making to metal finishing processes.”
WTP artist Rosalyn Driscoll details her recent studio move and her new, custom-built studio space.
Monica Coyne takes readers behind the scenes of her blacksmithing studio, and how she forges using renewable energy.
Andrea Rae creates her fiber-based installation art, often including fabric figures, in her home studio in Indiana.
A tour of painter Dorothea Osborn's home-based studio on the Normanskill Creek in Delmar, New York.