Les Aimants 3 by Alice Harrison, see her work in Vol. IV #8 Oil/mixed media collage on paper mounted on board 44” x 31” The creative process for me is intuitive – starting with materials and/or marks that I make. I like putting things together – sometimes pieces that seem not to go together. Combining…
Tag: arts
Kathryn Baczeski's Installations
Releasing Control to Create by Kathryn Baczeski, see her work in Vol. IV #7 In my performance art, in order for me to create, my process must be in constant flux—I must release control of my work, and I do that by collaborating, though not necessarily always with another person. It could be even with…
WTP Artist: Teresa Stanley
“The dance between the scientific inquiry and the artistic one.” by Emily Jaeger, Features Editor Teresa Stanley has exhibited her work extensively both nationally and internationally. She received her MFA from the University of California, Berkeley. A professor at Humboldt State University, she is the recipient of an individual artist grant from the Ingrid Nikelson Trust…
Art Spotlight: Patricia Russac
Vortex by Patricia Russac, see her work in Vol. IV #8 Ink and pastel on paper 38” x 50” Nature gives us much more to see after it comes to the end of its cycle of life. Like the human form, its complexities surface to reveal an entirely new set of intricate views. Looking deeply…
Jeff Alu: Seeing Beyond the Camera
The Advantages of Being Rough on Your Photographic Equipment by Jeff Alu, see his work in Vol. IV #8 I don’t own any expensive photographic equipment. I prefer to shoot with cheaper point and shoot digital cameras. The reasoning for this is both practical and philosophical. First the practical: I’m hiking through a treacherous, rocky area…
WTP Artist: Theresa Knopf
“I Gave Myself the Challenge of Painting Without Paint.” Interview by Emily Jaeger, Features Editor Theresa Knopf is a recent graduate of the California State University at Northridge where she studied painting. Using a mixed medium including paint, textiles, thread, and cyanotype prints, Knopf creates pieces which reflect on women’s histories through restraint, concealing, and revealing. Jaeger:…
Dreamers
“12 Dreamers” and “Dancing with the Devils” By Jeff Alu See his work in Vol. IV #8 Jeff Alu is an experimental whose work crosses a line between science and art. He writes, “My style hovers between documentary and a semi-dreamlike state. I’m constantly searching for what I like to call “clues.” These clues generally…
WTP Artist: Julia Wright
“Pushing the limits is the only way to challenge complacency in design.” Interview by Emily Jaeger, Features Editor Julia Wright is a textile artist and designer currently living in Los Angeles. She received her BFA in Textiles at the Rhode Island School of Design. Jaeger: In “Structural Understanding,” (above) appearing in this month’s issue you explore the…
Art Spotlight: Alison Ye
Statement See her work in Vol. IV #8 Statement ceramic, underglaze, glaze 10″ x 10” 10” Alison Ye is from China, and earned her BFA in Ceramic from Sichuan Fine Art Institute and her MFA in Sculpture from Academy of Art University. She is inspired by her personal and friend’s love stories. She creates playful…
Jeff Alu: Playing with Scale
Ventures in the Tilt-Shift See his work in October’s Vol IV #8 issue One of my favorite techniques in photography is to play with scale. Or more specifically, making it difficult to tell how big or small something is. I want m viewers to look at a photo, do a double-take, and wonder “Just what the…
Gross and Wapiennik's Freak Show
Collaborative Calm Behind the Carnival View Cheryl Gross and Marta Wapiennik’s work in Vol. IV #7 Artistic collaborations can often be tenuous arrangements, especially when the traditional expectation or practice of the artist is to create alone. However, as Cheryl Gross and Marta Wapiennek, the artists behind Freak Show have shown, collaboration can spark artistic growth and works…
Art Spotlight: Kathryn Baczeski
Claystack See Baczeski’s work in Vol. IV #7 Claystack is an “object experiment” created by dipping the straw of one entire bale into clay slip, and then firing the resulting mound. Gravity caused ‘Claystack’ to sag and morph during the process. Considering the long history of ceramic objects made by hand, ‘Claystack’ was formed by the…